Dark August (1976)
After accidentally running over a young girl, artist Sal Devito (J.J. Barry) is haunted by three things: visions of the tragic incident, a strange figure lurking in the woods, and by Old Man McDermitt , the girl’s grandfather. As Sal’s mind is slowly coming unglued, his girlfriend Jackie (Carolyne Barry) tries her best to stand by her man. Jackie’s friend recommends that Sal seek spiritual guidance from Adrianna (Kim Hunter), a witch who specializes in white magic. Adrianna discovers that someone has placed a curse on Sal which summoned a demon to torment him.
Director Martin Goldman takes a pretty big chance with his take on what a horror film should be. Without an effects budget or a high body count (this definitely ain’t no slasher film), he instead focuses on psychology, the performances of his actors, and the supernatural. But you’ll have to use your imagination here as almost nothing otherworldly is ever shown in Dark August to indicate that what’s happening is anywhere but in the minds of the characters. The score by William S. Fisher is a jazzy synth mishmash with some wacko drums and piano (so of course, I dig it). The workmanlike cinematography by Richard E. Brooks has a few surprises stashed in the film in the form of some gorgeously composed shots.
Unfortunately, the entire film hinges on Sal, a friggin’ unlikeable bastard. J.J. Barry (who co-wrote the film with Goldman and Carolyne Barry) turns in a great performance but his character is a selfish and smug douchebag. The only thing I liked about Sal’s character is that it doesn’t take him long to buy into the supernatural world around him. If this movie had taken an extra ten minutes he moronically vacillated between faith and science, I would have given up. Other members of the cast do a fine job but the script has them caught in a mire of banal melodrama. Dr. Zira herself, Kim Hunter, is great and she gets to spout some pretty crazy incantations during a seance which goes horribly awry.
Despite its “Me Generation” whining, ponderous pacing, and actors’ workshop vibe, I have to admit that there is something special about Dark August. On the surface it feels like Savage Weekend but without the trashiness or the chainsaw. It does have a very well staged and surprising moment of violence that I did not see coming. Another cool scenes is when we first see the dark figure that is always watching Sal, it is chilling. Sal tries to catch this presence by following it deeper and deeper into the woods and his demon stays just out of reach and is always seen in a blurry haze.
Also in the film’s favor: I watched Dark August after I burned my beat up Lightning Video tape to DVD-R. In my experience, this always lends a claustrophobic, anything-can-happen vibe to old rare films like this one. I highly doubt that this fairly obscure film will get the special treatment if it ever does make it to DVD. It’s a shame because even though Goldman’s film has some major strikes against it, I was left with a creepy feeling when it was over and a few things to think about. I can’t recommend Dark August too much because I don’t think horror film fans should go out of their way to find it. However, if this flick turns up on some 50 movie pack someday, patient folks should give it a spin.
