The Legend of Blood Castle
AKA Ceremonia Sangrienta, The Female Butcher
Directed by Jorge Grau
Released: 1973
Starring Lucia Bosé, Espartaco Santoni, Ewa Aulin, Ana Farra, Silvano Tranquilli, Lola Gaos
Running Time: 88 minutes
DVD Studio: Mya Communication

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The trial of a man accused of vampirism fires the imaginations of Countess Erzsebet Bathory (played by Lucia Bosé) and her husband Karl Ziemmer (Espartaco Santoni). The hopelessly vain Erzsebet believes that her failing looks are making Karl distant but the man is losing his mind and is quickly becoming violently psychotic. When, by accident, she sees that the blood of beautiful young women reverses the aging process, Erzsebet encourages Karl to help her find some unwilling donors. Things go wrong for the both of them when Karl falls for an innkeeper’s daughter named Marina (Ewa Aulin) which draws unwanted attention from the superstitious locals.

Jorge Grau, the director of
Let Sleeping Corpses Lie, brings us his vision of the grim tale of Elizabeth Bathory. I still prefer Countess Dracula, the Peter Sasdy version starring Ingrid Pitt, but Grau’s film has a whole lot going for it. First of all, this is a very extravagant Spanish gothic horror production with perfect sets and locations. Secondly, the cast is astounding without a single squeaky wheel in the bunch. And finally, this movie is dark, really dark. I felt completely wrecked after watching this one. The Legend of Blood Castle has got this suffocating atmosphere to it and I could not escape its grasp as it smothered me with its European goodness.

Speaking of that awesome cast, Lucia Bosé of
Something Creeping in the Dark and Espartaco Santoni of Lisa and the Devil are both superb in their roles. The doomed marriage of Erzsebet and Karl is fascinating to watch as it crumbles under the weight of their madness. The wildly sexy Ewa Aulin of Death Smiled at Murder seduces me once again with Marina, a small but pivotal role.

The supporting cast of
The Legend of Blood Castle is like a Who’s Who of European horror films. Erzsebet’s creepy housekeeper is played by Ana Farra of Curse of the Devil and Silvano Tranquilli of Black Belly of the Tarantula plays the doctor (the only sane person in the entire town). The incomparable Lola Gaos of Paul Naschy’s Panic Beats is excellent as Carmilla, the old witch who helps feed the superstitions that make everyone in this story completely bonkers. Ángel Menéndez of The Loreley’s Grasp is very good as the eccentric magistrate who enforces archaic laws that are totally insane.

The most amazing thing about this movie is that you never really know if anything supernatural has happened or not. The power of the characters to believe wholeheartedly in their own superstitions and make them come to pass is quite frightening. The trial sequences where the council brings charges against a corpse are haunting and the voice of reason is quickly buried underneath the cacophony of ignorance. Eurohorror fans need to check out
The Legend of Blood Castle, a bloody, sexy and smart film that wallows in its own lugubriousness.

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DVD Stuff

I’ve been waiting and waiting for this title to come out on DVD and Mya Communication has granted my wishes. The presentation leaves me a little wanting but I’m no DVD snob so I can forgive the non-anamorphic widescreen and the lack of subtitle options for the Italian and Spanish language tracks. My last complaint is the ugly and overly utilitarian menu. The more important good points are that the film looks very good (colors are bright and scratches are minimal) and the English dubbing is a very clear (though I did notice a loud music versus quiet dialogue battle going on). There are a few scenes which did not make it into the English version and they have been borrowed from the Spanish one with subtitles added.

In the extras department we have some deleted scenes that did not make the cut in either the Spanish or the English version. These are presented in Italian with English subs. These are mostly dialogue sequences but they make me want to see the Italian version and see how they flow within the film. There are a couple of alternate scenes in the extras as well with more nudity and there’s even a comparison track. It is interesting to see how Spanish genre film directors made clothed and nude scenes so that the film could be marketed in multiple markets. There is a poster gallery and some alternate credit sequences (one for English and one for Italian).

Quotes

“Never dare to tempt the devil.”