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Raw Meat
AKA Death Line
Directed by Gary Sherman
Released: 1972
Starring: Donald Pleasence, David Ladd, Sharon Gurney, and Hugh Armstrong
Running time: 87 minutes
Reviewed by
Eric Grubbs
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At the turn of the century, a construction accident
in London’s subway system traps several people. With no funding to dig the
people out, the construction company presumes they are dead and abandons
all rescue attempts. Years later, Alex Campbell (played by David Ladd), an
American student, and Patricia Wilson (Sharon Gurney), his English
girlfriend, fall prey to a cannibalistic madman that may be the evidence
of the actual fate of those trapped below London’s streets. The
understandably skeptical Police Inspector Calhoun (played by Donald
Pleasence) leads his investigation underground only after a prominent
civil servant disappears.
Known as
Death Line
in England and
Raw Meat in the
US, Gary Sherman’s 1972 film is more a detective thriller than a gross-out
murder fest. There are a few jumps with the kills and even some decent
gore setpieces, but this isn’t a gotcha! type of movie. Though it is quite
farfetched, there is actual substance to the film even though it seems
like a routine detective story. A character asks how cannibals could live
under such primitive circumstances. The deal is you can also ask how
people trapped in stale, boring, and lonely lives above ground could live
their lives. In both cases, it’s about survival given the circumstances.
Donald Pleasence’s role as a brash-but-funny chief police inspector is one
of the film’s strongest points. He plays a vastly different character than
the haunted Sam Loomis character he would gain popularity with in the
Halloween movies. Watching
Death Line
reminds us of how great and versatile an actor he was beyond his role as
Michael Myers’ psychiatrist.
What helps the film's legacy is how good it still looks very good and how
well it’s directed. Early on, there’s an eye-catching long tracking shot
showing a full 360-degree view of the underground layer. Plus, the sets
look real and believable, not phony and cheap like many of the film’s
horror contemporaries. The acting is strong all around, especially with
Pleasence. Look for a very brief but ominous cameo by Christopher Lee.
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