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Giallo Meltdown: Part 2 (Saturday)
by
Richard
Of DM
Jump to
Friday or
Sunday
8:50am
Preparations (Saturday)
It
takes a helluva long time to get moving this morning. I’m tired as hell
plus I was dreaming about Giallos half the night. I kid you not, people,
Joe Dellasandro was in my dreams! Hey, that’s not gay at all. LeEtta and I
go to breakfast at Einstein’s for some bagel sammiches and then we go to
the grocery store which turns out to be the longest event of our lives. A
packed grocery store with three cashier’s lanes open. Back home, we gamble
on our scratch-off tickets and lose. Oh well, no luck there. LeEtta
chooses Your Vice Is A Locked Room And
Only I Have The Key from the black
glove. Hey, things are looking up.
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“You see, murder has a habit of involving all sorts of people for no
reason.”
11:00am
05. Your Vice Is A Locked Room And Only I
Have The Key
The Giallo with the longest title I’ve ever seen also happens to be
a favorite of mine. Director Sergio Martino cold rocks the genre with this
one. Bruno Nicolai’s score is fantabulous and gets stuck in my head
instantly. This decadent film has the most sleaze,
violence, nudity, and
J&B than
any of the films so far. Where was this one when Richie was here? Well, he
did miss the hippies singing that “Daughter-Daughter” song. Fuck was that about?
It’s about time that the bewitching
Edwige Fenech showed up. More eye
candy includes the very severe
Anita Strindberg in one of her finest roles as the
painfully mistreated Irina. Her well-written character sparks some debates
between LeEtta and I over her motivations. Hey look, it’s
Luigi Pistilli once again. I have a
tough time separating the actor from the drunken and criminally abusive Oliviero
character in this movie. The guy is such a bastard. I like the underused
actor, Franco Nebbia, as Inspector Faola. Did I mention the
J&B?
Everything can be summed up by Ivan Rassimov’s amazing
gray hair. Or maybe
it can be summed up in those lesbian scenes or a bag of sheep eyes. Woops,
that was some (thankfully) unconvincing cat violence. I feel really bad
about their poor maid
Brenda. She probably should have quit a long time
ago. Oh well, too late now. Hey, look more
J&B!
I’m not saying you shouldn’t name your cat Satan but be prepared for the
worst when you do. Man, this film is as perverse as they come. It
definitely lives up to its title. Folks at home, be sure to check out the
equally awesome
The Strange Vice Of Mrs. Wardh, also featuring
Fenech and Rassimov. All I can say now is that the next film is going
to have to be pretty awesome to even come close to this one. Too bad there
wasn't any
J&B in
Your Vice.
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12:45pm
Lunch
LeEtta
escapes the Moviethon to go to one of her friends’ baby shower. I go on a
Taco Bell run to grab myself some completely unhealthy food. A Crunchwrap
Supreme, a Chicken Quesadilla, and a Mountain Dew will do the trick. I’m
starting to think that I should eat more healthy for the next Moviethon.
Hmm… yeah. Anyway, before she left, LeEtta reached in the black glove and
pulled out All The Colors Of The Dark.
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“Now you’re one of us, Jane”
1:20pm
06. All The Colors Of The Dark
Sergio
Martino returns with a vengeance. The opening
dream sequence is really
nuts.
Ivan Rassimov returns without the gray hair this time but with these
odious blue contacts (that look quite painful). The way out soundtrack
cannot be ignored and nor can the luscious
Edwige Fenech. Hey look,
George
Hilton makes his first appearance in the Movieton. Oh yes, we’ll be seeing him again
later. Hell, even the sweet and lovely
Susan Scott is in this one.
This film borders on the Giallo Fantastico with its nightmarish visions,
Satanic cult, and hints of ESP. I notice that the cats are
sleeping
through this one but not me, I’m all wound up. Besides, the whole issue of
whether or not Jane (Fenech) is taking her weird
blue pills has me in a
tizzy. Well, I’ll be damned. There’s
Luciano Pigozzi again! The duder gets
around.
Here’s another
weird Giallo that gets better with multiple viewings though it
does have a few problems. The plot gets so wound up with the
conspiratorial angle that it just starts falling apart by the end. Jane’s
confession at the end is completely baffling. Oh well, the camerawork and
the presence of the lovely
Marina Malfatti make up for all of this. At the
end of this film, I reach into the glove to find another Sergio Martino
classic in my hands...
Torso.
Read
the
full review.
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“Look at all those knockers.”
2:57pm
07. Torso
I can’t
believe my luck. A Sergio Martino trilogy? Sweet! It took me a while to
acquire
Torso on DVD but once I did, it was a revelation. This sleazy and
reprehensible flick is loaded with hot chicks, gore, dirty hippies, and
sex. This is a classic Giallo custom made for the discerning Eurotrash
connoisseur. Don’t believe me? Just watch that priceless stalking sequence
in the
swamp. Or could you be convinced by the nudity in the first 18
seconds?
The soundtrack by Guido and Maurizio De Angelis is so perfect for the
material. I’m starting to get pretty sick of
Suzy Kendall. Can’t really
put my finger on it. However, I am still head over heels with
Carla Brait
though. She’s awesome in
The Case Of The Bloody Iris but she doesn’t get
nearly enough to do here. Well, she gets to be a
lesbian but I think
that’s the most character development she gets. Ernesto Colli, that
painfully ugly guy from
Autopsy,
plays the ill-fated scarf seller.
John Richardson of
Eyeball
is all up in my grill.
One of the best moments comes from the dumbfounded
delivery boy: “Milk,
bread, and eggs.” The gore isn’t very convincing but there certainly is
enough of it to beat me into submission. Speaking of beatings, the dreamy
Luc Merenda gets to pull off the most amazing drop kick I've ever seen during the
climactic fight sequence.
Torso ends and I’m completely satisfied yet I
must reach into the black glove again. Oh hell yeah, it’s time for
Strip
Nude For Your Killer. Edwige, I’ll be with you soon.
Read
the
full review.
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“Don’t get any ideas in that pretty little head, my sweet. You’ll be
sorry.”
4:32pm
08. Strip Nude For Your Killer
When it
comes to sleaze, forget Torso, this one will leave you feeling so very
dirty. Even the funktastic theme song has an undeniable seediness to it.
I’m just glad we finally get to my favorite Giallo fodder: fashion models!
Wait, fashion models and genital mutilation? Okay, where do I sign? As if
Edwige Fenech and
Femi Benussi weren’t enough of a draw. Despite its grimy
near-porno vibe,
Strip Nude For Your Killer is shot and edited with
style.
This movie would be nothing without its totally unlikeable “hero”: Carlo.
This prick is played by
Nino Castelnuovo (Massacre Time) and the guy
outdoes himself womanizing and choking Edwige Fenech. It’s hard to
convince someone of your innocence with your fingers wrapped around their
throat. Well, unless you’re Italian, I guess. Carlo’s bizarre ideas about milk are just
totally astounding:
“Milk is good for you. It gets your corpsuckles going. Especially after a
strenuous evening.”
Andrea Bianichi, you magnificent bastard, what have you done? I don’t know
who’s more dangerous, the horrible fat man with the blow-up doll or the
motorcycle jumpsuit-clad
killer. What I do know is that this sex-obsessed
flick lives up to its title and the final wrap-up is one of the greatest
moments ever committed to film. Sorry about the butt sex threat, duder.
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6:15pm
Cigar Break, Etc.
LeEtta
returns from her social engagement and we both run outside from some fresh
evening air. While we are in front of our apartment building stretching, I
start singing and dancing to the theme song of
Strip Nude For Your Killer.
Just as we’re about to go back inside, our friend Shelly arrives with her
own bottle of J&B and some smokes. We retreat to the patio where I light
up an amazing Tatuaje cigar. After that, we order some Chinese food (that
takes nearly two hours to arrive!) and Shelly picks
Eyeball from the black
glove.
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“It’s a personal tragedy to realize that I’m not immortal.”
8:21pm
09. Eyeball
Finally, we get to some Umberto Lenzi.
Eyeball
is certainly an appropriate
title but the Italian one (which I prefer) roughly translates to "Red Cats
In A Glass Maze". Even more odd is that my copy has the opening titles
referring to the film as "The Secret Killer". Here we find yet another sweet
score from Bruno Nicolai. The theme of which bores into your skull, finds
a warm and squishy spot, and never leaves.
This entertaining little gem has got it all: J&B, ridiculous lesbian
stereotypes, an entire cast of
nutty red herrings (until they get killed), and
even George Rigaud as a
priest. Rigaud showed up in about 7 or 8 Giallos
during his career. Mmmm…
Martine Brochard. I have a huge crush on this
chick but LeEtta and Shelly are sickened by how pasty and skinny she is. I
do agree that she needs a sammich especially after I see that her boobs look like
they’re about to roll off her ribcage. We are all intrigued by the lovely
Naiba.
It’s no
Seven Blood-Stained Orchids
(my favorite) but
Eyeball
is one of
Umberto Lenzi’s most entertaining Giallos. There is a plethora of eye
violence and one victim’s body is devoured by pigs! Okay, the movie
suggests that her body was eaten by oinks but you don’t really get to see
that unfortunately. It’s just another moment of confusion in this very
convoluted plot. LeEtta reaches into the glove and randomly selects
A Blade In The Dark.
Read
the
full review.
Get the DVD from
Shocking Videos.
-------------------------------------

“Listen to me, music man. Nothing will help. I’m going to kill you.”
10:03pm
10. A Blade In The Dark
While
the credits are rolling, Shelly says, “Hey, I thought we weren’t watching
any Bava!” I tell her it’s okay because it’s Mario’s son, Lamberto, behind
the camera on this one. Mario Bava? Sorry but that’s a whole other
Moviethon for a whole different weekend. I’m digging on this cast:
Andrea Occhipinti of
New York Ripper, the great Michelle Soavi, and of course,
Stanko Molnar of Bava’s
Macabre. When I go on the lamb, I’ll be using the
name Stanko Molnar to keep the cops off my trail.
The first death scene puts Shelly into
hysterics and I realize I’m in
trouble. You see, what folks don’t understand is that after you have
watched hundreds of Italian horror films, you start not to notice how
silly these things are. Moments that would cause most folks to eject the
DVD immediately from their players just don’t faze me anymore. I digress…
Watch as I sing the praises of the male cast of
A Blade In The Dark (or as
I like to call it: "Desperately Seeking
Julia"). The women, on the other
hand, are pretty
silly. Their characters just aren’t written very well and
the voice acting just blows. One particularly awkward line of dialogue
causes Shelly and me to go nuts. When Sandra asks, “This is all the
whiskey you possess?”, we pretty much lose it completely.
This painfully 80s film is definitely easy to heckle but I still love it.
The claustrophobic atmosphere, the soundtrack by De Angelis, and the
setting are all very cool. Plus, the
kill scene in the bathroom has to be
one of the most brutal in all of the genre. Before this movie can get too
good though, we have goofy ass garbage like this: “That’s not a spider, that’s a cockroach!” one character
yells as, what is clearly a spider, crawls across the floor.
Read the
full review.
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11:45pm
Short Break
LeEtta
did not survive the (mental and physical) carnage of
A Blade In The Dark and
went to bed some time ago. Shelly hits the road still in shock from the
film. With “This is all the whiskey you possess?” still ringing in my
ears, I reach into the black glove and pull out one of the finest examples
of Giallo:
Seven Blood-Stained Orchids.
Stupid randomness, why am I alone when this classic is drawn?
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“Naturally, that's one thing you can be sure of: killers are out of their
minds..”
12:01am
11. Seven Blood-Stained
Orchids
Antonio
Sabato, you’re my hero. Actually, Umberto Lenzi is my hero for directing
this
stylish and pitch perfect Giallo. This was one of my first non-Argento and non-Fulci
Giallos that I’d seen when I had first gotten into this stuff and it still
ranks way up there at the top of the heap for me. I find the story in this
one to be the least clunky in the genre and the ending is suspenseful as
hell.
I don’t really like Bavarian actress
Uschi Glas as a heroine but I suppose
she’ll do. Some of the supporting ladies in this flick are to die for.
There’s the severe
Rossella Falk and the always gorgeous
Marina Malfatti.
Be sure to look out for
Marisa Mell (Lucio Fulci’s
Perversion Story) in
dual roles. Though he’s not nearly as hot as the ladies, he’s still a
great character actor with a ton of personality:
Renato Romano.
Everyone should watch this movie. It’s got
hippies, sexy women, and a
nasty death scene involving a
power drill. What more could anyone ever
want? Okay, so maybe Uschi Glas has redeemed herself at least a
little bit. The climactic
stalking scene with her where she’s being
pursued by the killer around the grounds of her house is just amazing. And
with that, it’s time to pick the last film for the night from the black
glove. Despite the dull ache that has settled in my eyes, I’m happy to see
that I’ve chosen What Have You Done To Solange?
Read the
full review.
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“Real screwing? No way. Not after what happened to Solange.”
1:35am
12. What Have You Done To Solange?
Who has
the greatest name of all time? Well, it’s
Fabio Testi. Wow. Fabio. Testi.
Anyway, the guy is a great actor and his character in this film, Enrico,
is such a dick. Somehow, I end up liking him despite what a bastard he is.
His love affair with high school girl Elizabeth (played by
Cristina Galbó)
is hard to forgive when his wife is played by the stunning
Karin Baal (who
tries to look ugly in the first half of the film).
Oh my God. Look at that little
lost kitten. Who will come along and rescue
that little lost kitten? And what about that other little lost kitten? You
know, the one inside of all of us? Aren’t we all just little lost kittens?
Who will rescue us?
I’m thinking that this film is trying to be provocative with its rampant
nudity and genital mutilation but its old fashioned morality is betrayed
by some of the characters’ attitudes. Is a girl’s life really worth less
than her virginity? What the fuck is that about? Okay, so maybe the film is criticizing these beliefs, not support them. Meh, I’m too tired for
analyzation. Director Massimo Dallamano’s choice to expose the parents’
and educators’ naivety of the world of teenage girls works quite well.
There is a great moment with a
priest lineup that totally goofs on the Giallo genre. That’s about all the fun we get here what with the violence
being both brutal and depressing. Overall,
Solange is very grim but
actually quite smart for the genre. Its message may be as clear as mud but
it is a great film with some stark and memorable
images. Well, that concludes Saturday’s films.
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3:25am
Saturday's Final
Thoughts
I’m
trapped inside a maze of Italian architecture and razor-wielding murderers
in terrible 70s fashions around every corner. There’s lots and lots of
corpses piling up almost too quickly to count and my only instinct is to
watch more films. I’m really not looking forward to waking up tomorrow. I
suspect that I’ll feel like death warmed over. Wow, everything ended on a
real downer with
Solange. Yup. Goodnight.
Go on
to Sunday.
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