Giallo Meltdown: Part 2 (Saturday) by Richard Of DM

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8:50am

Preparations (Saturday)

It takes a helluva long time to get moving this morning. I’m tired as hell plus I was dreaming about Giallos half the night. I kid you not, people, Joe Dellasandro was in my dreams! Hey, that’s not gay at all. LeEtta and I go to breakfast at Einstein’s for some bagel sammiches and then we go to the grocery store which turns out to be the longest event of our lives. A packed grocery store with three cashier’s lanes open. Back home, we gamble on our scratch-off tickets and lose. Oh well, no luck there. LeEtta chooses Your Vice Is A Locked Room And Only I Have The Key from the black glove. Hey, things are looking up.

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“You see, murder has a habit of involving all sorts of people for no reason.”

11:00am

05. Your Vice Is A Locked Room And Only I Have The Key

The Giallo with the longest title I’ve ever seen also happens to be a favorite of mine. Director Sergio Martino cold rocks the genre with this one. Bruno Nicolai’s score is fantabulous and gets stuck in my head instantly. This decadent film has the most sleaze, violence, nudity, and J&B than any of the films so far. Where was this one when Richie was here? Well, he did miss the hippies singing that “Daughter-Daughter” song. Fuck was that about?

It’s about time that the bewitching Edwige Fenech showed up. More eye candy includes the very severe Anita Strindberg in one of her finest roles as the painfully mistreated Irina. Her well-written character sparks some debates between LeEtta and I over her motivations. Hey look, it’s Luigi Pistilli once again. I have a tough time separating the actor from the drunken and criminally abusive Oliviero character in this movie. The guy is such a bastard. I like the underused actor, Franco Nebbia, as Inspector Faola. Did I mention the J&B?

Everything can be summed up by Ivan Rassimov’s amazing gray hair. Or maybe it can be summed up in those lesbian scenes or a bag of sheep eyes. Woops, that was some (thankfully) unconvincing cat violence. I feel really bad about their poor maid Brenda. She probably should have quit a long time ago. Oh well, too late now. Hey, look more J&B!

I’m not saying you shouldn’t name your cat Satan but be prepared for the worst when you do. Man, this film is as perverse as they come. It definitely lives up to its title. Folks at home, be sure to check out the equally awesome
The Strange Vice Of Mrs. Wardh, also featuring Fenech and Rassimov. All I can say now is that the next film is going to have to be pretty awesome to even come close to this one. Too bad there wasn't any J&B in Your Vice.

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12:45pm

Lunch

LeEtta escapes the Moviethon to go to one of her friends’ baby shower. I go on a Taco Bell run to grab myself some completely unhealthy food. A Crunchwrap Supreme, a Chicken Quesadilla, and a Mountain Dew will do the trick. I’m starting to think that I should eat more healthy for the next Moviethon. Hmm… yeah. Anyway, before she left, LeEtta reached in the black glove and pulled out All The Colors Of The Dark.

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“Now you’re one of us, Jane”

1:20pm

06. All The Colors Of The Dark

Sergio Martino returns with a vengeance. The opening dream sequence is really nuts. Ivan Rassimov returns without the gray hair this time but with these odious blue contacts (that look quite painful). The way out soundtrack cannot be ignored and nor can the luscious Edwige Fenech. Hey look, George Hilton makes his first appearance in the Movieton. Oh yes, we’ll be seeing him again later. Hell, even the sweet and lovely Susan Scott is in this one.

This film borders on the Giallo Fantastico with its nightmarish visions, Satanic cult, and hints of ESP. I notice that the cats are sleeping through this one but not me, I’m all wound up. Besides, the whole issue of whether or not Jane (Fenech) is taking her weird blue pills has me in a tizzy. Well, I’ll be damned. There’s Luciano Pigozzi again! The duder gets around.

Here’s another weird Giallo that gets better with multiple viewings though it does have a few problems. The plot gets so wound up with the conspiratorial angle that it just starts falling apart by the end. Jane’s confession at the end is completely baffling. Oh well, the camerawork and the presence of the lovely Marina Malfatti make up for all of this. At the end of this film, I reach into the glove to find another Sergio Martino classic in my hands...
Torso.

Read the full review.

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“Look at all those knockers.”

2:57pm

07. Torso

I can’t believe my luck. A Sergio Martino trilogy? Sweet! It took me a while to acquire Torso on DVD but once I did, it was a revelation. This sleazy and reprehensible flick is loaded with hot chicks, gore, dirty hippies, and sex. This is a classic Giallo custom made for the discerning Eurotrash connoisseur. Don’t believe me? Just watch that priceless stalking sequence in the swamp. Or could you be convinced by the nudity in the first 18 seconds?

The soundtrack by Guido and Maurizio De Angelis is so perfect for the material. I’m starting to get pretty sick of Suzy Kendall. Can’t really put my finger on it. However, I am still head over heels with Carla Brait though. She’s awesome in
The Case Of The Bloody Iris but she doesn’t get nearly enough to do here. Well, she gets to be a lesbian but I think that’s the most character development she gets. Ernesto Colli, that painfully ugly guy from Autopsy, plays the ill-fated scarf seller. John Richardson of Eyeball is all up in my grill.

One of the best moments comes from the dumbfounded delivery boy: “Milk, bread, and eggs.” The gore isn’t very convincing but there certainly is enough of it to beat me into submission. Speaking of beatings, the dreamy Luc Merenda gets to pull off the most amazing drop kick I've ever seen during the climactic fight sequence.
Torso ends and I’m completely satisfied yet I must reach into the black glove again. Oh hell yeah, it’s time for Strip Nude For Your Killer. Edwige, I’ll be with you soon.

Read the full review.

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“Don’t get any ideas in that pretty little head, my sweet. You’ll be sorry.”

4:32pm

08. Strip Nude For Your Killer

When it comes to sleaze, forget Torso, this one will leave you feeling so very dirty. Even the funktastic theme song has an undeniable seediness to it. I’m just glad we finally get to my favorite Giallo fodder: fashion models! Wait, fashion models and genital mutilation? Okay, where do I sign? As if Edwige Fenech and Femi Benussi weren’t enough of a draw. Despite its grimy near-porno vibe, Strip Nude For Your Killer is shot and edited with style.

This movie would be nothing without its totally unlikeable “hero”: Carlo. This prick is played by Nino Castelnuovo (Massacre Time) and the guy outdoes himself womanizing and choking Edwige Fenech. It’s hard to convince someone of your innocence with your fingers wrapped around their throat. Well, unless you’re Italian, I guess. Carlo’s bizarre ideas about milk are just totally astounding:

“Milk is good for you. It gets your corpsuckles going. Especially after a strenuous evening.”

Andrea Bianichi, you magnificent bastard, what have you done? I don’t know who’s more dangerous, the horrible fat man with the blow-up doll or the motorcycle jumpsuit-clad killer. What I do know is that this sex-obsessed flick lives up to its title and the final wrap-up is one of the greatest moments ever committed to film. Sorry about the butt sex threat, duder.

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6:15pm

Cigar Break, Etc.

LeEtta returns from her social engagement and we both run outside from some fresh evening air. While we are in front of our apartment building stretching, I start singing and dancing to the theme song of Strip Nude For Your Killer. Just as we’re about to go back inside, our friend Shelly arrives with her own bottle of J&B and some smokes. We retreat to the patio where I light up an amazing Tatuaje cigar. After that, we order some Chinese food (that takes nearly two hours to arrive!) and Shelly picks Eyeball from the black glove.

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“It’s a personal tragedy to realize that I’m not immortal.”

8:21pm

09. Eyeball

Finally, we get to some Umberto Lenzi. Eyeball is certainly an appropriate title but the Italian one (which I prefer) roughly translates to "Red Cats In A Glass Maze". Even more odd is that my copy has the opening titles referring to the film as "The Secret Killer". Here we find yet another sweet score from Bruno Nicolai. The theme of which bores into your skull, finds a warm and squishy spot, and never leaves.

This entertaining little gem has got it all: J&B, ridiculous lesbian stereotypes, an entire cast of nutty red herrings (until they get killed), and even George Rigaud as a priest. Rigaud showed up in about 7 or 8 Giallos during his career. Mmmm… Martine Brochard. I have a huge crush on this chick but LeEtta and Shelly are sickened by how pasty and skinny she is. I do agree that she needs a sammich especially after I see that her boobs look like they’re about to roll off her ribcage. We are all intrigued by the lovely Naiba.

It’s no Seven Blood-Stained Orchids (my favorite) but Eyeball is one of Umberto Lenzi’s most entertaining Giallos. There is a plethora of eye violence and one victim’s body is devoured by pigs! Okay, the movie suggests that her body was eaten by oinks but you don’t really get to see that unfortunately. It’s just another moment of confusion in this very convoluted plot. LeEtta reaches into the glove and randomly selects A Blade In The Dark.

Read the full review.

Get the DVD from Shocking Videos.

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“Listen to me, music man. Nothing will help. I’m going to kill you.”

10:03pm

10. A Blade In The Dark

While the credits are rolling, Shelly says, “Hey, I thought we weren’t watching any Bava!” I tell her it’s okay because it’s Mario’s son, Lamberto, behind the camera on this one. Mario Bava? Sorry but that’s a whole other Moviethon for a whole different weekend. I’m digging on this cast: Andrea Occhipinti of New York Ripper, the great Michelle Soavi, and of course, Stanko Molnar of Bava’s Macabre. When I go on the lamb, I’ll be using the name Stanko Molnar to keep the cops off my trail.

The first death scene puts Shelly into hysterics and I realize I’m in trouble. You see, what folks don’t understand is that after you have watched hundreds of Italian horror films, you start not to notice how silly these things are. Moments that would cause most folks to eject the DVD immediately from their players just don’t faze me anymore. I digress…

Watch as I sing the praises of the male cast of A Blade In The Dark (or as I like to call it: "Desperately Seeking Julia"). The women, on the other hand, are pretty silly. Their characters just aren’t written very well and the voice acting just blows. One particularly awkward line of dialogue causes Shelly and me to go nuts. When Sandra asks, “This is all the whiskey you possess?”, we pretty much lose it completely.

This painfully 80s film is definitely easy to heckle but I still love it. The claustrophobic atmosphere, the soundtrack by De Angelis, and the setting are all very cool. Plus, the kill scene in the bathroom has to be one of the most brutal in all of the genre. Before this movie can get too good though, we have goofy ass garbage like this: “That’s not a spider, that’s a cockroach!” one character yells as, what is clearly a spider, crawls across the floor.

Read the full review.

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11:45pm

Short Break

LeEtta did not survive the (mental and physical) carnage of A Blade In The Dark and went to bed some time ago. Shelly hits the road still in shock from the film. With “This is all the whiskey you possess?” still ringing in my ears, I reach into the black glove and pull out one of the finest examples of Giallo: Seven Blood-Stained Orchids. Stupid randomness, why am I alone when this classic is drawn?

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“Naturally, that's one thing you can be sure of: killers are out of their minds..”

12:01am

11. Seven Blood-Stained Orchids

Antonio Sabato, you’re my hero. Actually, Umberto Lenzi is my hero for directing this stylish and pitch perfect Giallo. This was one of my first non-Argento and non-Fulci Giallos that I’d seen when I had first gotten into this stuff and it still ranks way up there at the top of the heap for me. I find the story in this one to be the least clunky in the genre and the ending is suspenseful as hell.

I don’t really like Bavarian actress Uschi Glas as a heroine but I suppose she’ll do. Some of the supporting ladies in this flick are to die for. There’s the severe Rossella Falk and the always gorgeous Marina Malfatti. Be sure to look out for Marisa Mell (Lucio Fulci’s Perversion Story) in dual roles. Though he’s not nearly as hot as the ladies, he’s still a great character actor with a ton of personality: Renato Romano.

Everyone should watch this movie. It’s got hippies, sexy women, and a nasty death scene involving a power drill. What more could anyone ever want? Okay, so maybe Uschi Glas has redeemed herself at least a little bit. The climactic stalking scene with her where she’s being pursued by the killer around the grounds of her house is just amazing. And with that, it’s time to pick the last film for the night from the black glove. Despite the dull ache that has settled in my eyes, I’m happy to see that I’ve chosen What Have You Done To Solange?

Read the full review.

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“Real screwing? No way. Not after what happened to Solange.”

1:35am

12. What Have You Done To Solange?

Who has the greatest name of all time? Well, it’s Fabio Testi. Wow. Fabio. Testi. Anyway, the guy is a great actor and his character in this film, Enrico, is such a dick. Somehow, I end up liking him despite what a bastard he is. His love affair with high school girl Elizabeth (played by Cristina Galbó) is hard to forgive when his wife is played by the stunning Karin Baal (who tries to look ugly in the first half of the film).

Oh my God. Look at that little lost kitten. Who will come along and rescue that little lost kitten? And what about that other little lost kitten? You know, the one inside of all of us? Aren’t we all just little lost kittens? Who will rescue us?

I’m thinking that this film is trying to be provocative with its rampant nudity and genital mutilation but its old fashioned morality is betrayed by some of the characters’ attitudes. Is a girl’s life really worth less than her virginity? What the fuck is that about? Okay, so maybe the film is criticizing these beliefs, not support them. Meh, I’m too tired for analyzation. Director Massimo Dallamano’s choice to expose the parents’ and educators’ naivety of the world of teenage girls works quite well.

There is a great moment with a priest lineup that totally goofs on the Giallo genre. That’s about all the fun we get here what with the violence being both brutal and depressing. Overall, Solange is very grim but actually quite smart for the genre. Its message may be as clear as mud but it is a great film with some stark and memorable images. Well, that concludes Saturday’s films.

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3:25am

Saturday's Final Thoughts

I’m trapped inside a maze of Italian architecture and razor-wielding murderers in terrible 70s fashions around every corner. There’s lots and lots of corpses piling up almost too quickly to count and my only instinct is to watch more films. I’m really not looking forward to waking up tomorrow. I suspect that I’ll feel like death warmed over. Wow, everything ended on a real downer with Solange. Yup. Goodnight.

Go on to Sunday.

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