Doomed Fulci-Thon: 18 Movies, 2 Days, 1 Director by Richard Of DM

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The decision to watch a ton of Lucio Fulci movies came to me last winter when I was sharing The House By The Cemetery and The Beyond with some uninitiated friends. The idea morphed into a kind of endurance challenge as I decided to document the event. At first, I wanted to watch every Fulci film available but then I started knocking titles off the list as they were either unavailable or didn’t fit the mood of the marathon. His films that I hate (Demonia), or bore me to tears (Manhattan Baby), or are just too heavy (Four Of The Apocalypse) were omitted. However, they were put on a list for the triumphant return of Fulci-Thon (next year?) where I will include films he co-directed (Zombi 3) and films that stray far from the realm of horror (White Fang).

As for the order of the film screenings, I got pretty nutty with them. I didn’t want to do it chronologically since that would mean ending with some of the man's weaker efforts. So in order to personalize the whole festival and keep things interesting, I completely indulged myself on the order. I loaded Day 1 with some of the films that are more challenging to sit through. Then, I scheduled Day 2 with a combination of Fulci films that were new to me as well as with my absolute favorites. Another important step for the entire process was to split the Fulci-Thon up into a 2 day affair so that I could get some sleep in between. Sorry but I’m not 19 years old anymore.

The daily activities included a Fulci Dance Party and a Fulci Drinking Game. The Drinking Game is extremely easy since I wanted to be sure that I didn’t pass out during the marathon. The rules are as follows: drink whenever someone is whipped with chains, drink whenever someone falls down a cliff and their face explodes against the rocks on the way down, and finally (and most importantly) drink whenever eye violence occurs (poking, plucking, gouging, etc.). Next time I’ll include director cameos and J&B bottle appearances in the rules for you drunkards out there.

All right, enough setup. Here it is, folks. A document of my run-in with Lucio Fulci on November 10th and 11th, 2006. Please note that the Goopy Meter measures how much gore a film contains and has nothing to do with the quality of the film itself. A very special thanks goes out to Xploited Cinema for making the acquisition of many of the Fulci films I didn't already own very easy.

Doomed Fulci-Thon Day 1

12:10pm

01. Conquest (1983) – Blue Underground DVD

Ah, my first Fulci. Not just for the Moviethon but also the first from my childhood. I remember my mom renting this for me without having a clue what it was. The scene where Andrea Occhipinti (as Ilias) gets boils all over his body from the poison darts FREAKED ME OUT as a kid. This one gets a 7 on the Goopy Meter for some truly nasty moments such as skulls cracked open, a woman ripped in half, and other atrocities. Conquest is a kind of Clash Of The Titans and Conan The Barbarian mash-up with fake birds, zombies, flying dog-men, and a wicked soundtrack by Claudio Simonetti. Fulci really went for a soft focus siesta with this great dozing movie. My wife said, “This movie has ended my Sunday and it’s only Friday.” I’m digging how we start with Andrea Occhipinti here and will end with him today in New York Ripper. Let’s move on.

After a quick snack of vegetables in French onion dip, it’s on to the next film...

2:00pm

02. A Lizard In Woman’s Skin (1971) – Shriek Show DVD

You can’t mess with a picture featuring Anita Strindberg AND Florinda Balkan. A true Giallo classic that features our first bat attack of the day as well as the first appearance of ridiculously bright crime scene lights (pushed to the extreme in Murder Rock). The Goopy Meter gets a 4 for only two scenes in the uncut version of the film: one features some intestine spillage and the other sporting some fancy disemboweled dogs (fake!). The oft-maligned Shriek Show DVD is a real pain in the ass forcing me to switch to the widescreen Schizoid cut (censored version) once the gore scenes have passed. A perfect Ennio Morricone score is conducted by Bruno Nicolai for this one. This is an awesome film with a strangely brief wrap-up.

3:50pm

03. Murder Rock: Dancing Death (1984) – Shriek Show DVD

Oh man, this film is a tough one to love but I do. What hell hath Flashdance and Fame brought upon us? Olga Karlatos (Zombie) gets to keep her eye in a nearly gore-free 80s Giallo. The crunchy wet sound as victims’ hearts are pierced with a hatpin earns only a 1 on the Goopy Meter. There are lots of familiar faces in this one: Ray Lovelock, Cosimo Cinieri (Manhattan Baby), Christian Borromeo (Tenebre) and even little Silvia Collatina of House By The Cemetery. Hell, there’s even our first Fulci Cameo of the day. Murder Rock is definitely better after repeat viewings as the sweet dream sequence, bright and rhythmic lighting schemes, and fine camerawork rescue this bizarre and thoroughly cheesy film. Dig that soundtrack! Might be good for the Fulci Dance Party. Haay!

A delicious early dinner (sort of an Italian gumbo with tomato sauce, spinach, sausage, chicken, and rice) prepared by the wife during the last half of Murder Rock! I said delicious! Now on to Contraband...

5:20pm

04. Contraband (1980) - Blue Underground DVD

No woman can resist The Luca. Fabio Testi in a sweet fur coat should be enough but wait! There’s more! Contraband just happens to be one of the goriest and most brutal Italian crime films I’ve ever seen. This gets a 7 on the Goopy Meter for a pile of the nasty stuff including (but certainly not limited to) a throat getting shot out and a woman getting half of her face melted off with a Bunsen burner. This also features an extremely disturbing rape scene that is very difficult to sit through. I doubt that Fulci was very comfortable with this genre because the film seems a bit shaky but it pays off with gory action and superb camerawork. However, he took the time to strap on a machine gun for a badass Fulci Cameo. If you can make it through the lame speedboat chase scene in the beginning of the film, you’ll be richly rewarded.

Cigar break! I hit the patio for a Sancho Panza cigar (not our sponsor) and some Publix Mountain Splash (also not our sponsor). Reading material: Fulci interview in Fangoria #29 1983. Good times but dang it, I can't get distracted by awesome distractions. There’s more movies to watch…

7:55pm

05. The Black Cat (1981) – Anchor Bay DVD

Mimsy Farmer is in the house, y’all! This is definitely a Fulci classic with gorgeous cinematography and a superb score by Pino Donaggio. The Black Cat only gets a 2 on the Goopy Meter but makes up for the lack of gore with plenty of atmosphere and a healthy dose of Patrick Magee’s friggin’ eyebrows. Another bat attack (the wife found this one very amusing) makes up for the lack of a Fulci Cameo (apparently filmed but never made the final cut). Frequent Fulci victim Daniella Doria and the voluptuous Dagmar Lassander add some hottie-ness to the flick. But who could want anything more than Mimsy Farmer? Seriously. I love The Black Cat and am currently kicking myself for not watching it more often. Highly recommended.

9:30pm

06. House Of Clocks (1989) – Shriek Show DVD

The biggest surprise of the day! My hopes for this TV movie were not very high but I found myself instantly intrigued after the first few minutes. Some fine and bloody effects give this one a 6 on the Goopy Meter. A cool setting and a dose of dark humor definitely put House Of Clocks at the top of the later Fulci works. Al Cliver (The Beyond) is great as Peter, the caretaker with the ruined and constantly weeping eye. Sadly, a missed opportunity for some eye violence and a shot of J&B. Oh well, we’ll get to that later.

Fulci Dance Party, y'all! You can see me strut my stuff here, here, and here to “Are The Streets To Blame” from Murder Rock. Special guest dance partner: Sparkles. It feels good to stretch out but it’s time for yet another film. LET’S DO THIS!

11:05pm

“Puppis! Puppis! Puppis! Puppis!”

07. The Senator Likes Women (1972) – Dagored DVD

Anita Strindberg again? Yes but only briefly. Gee, I never imagined I’d be watching a Fulci sex comedy yet here I am. Fulci was really after the church in ’72 as this contains some blasphemous stuff here. Lando Buzzanca is hilarious as Senator Gianni Puppis, a gentleman who just can’t keep his hands off of women’s behinds even though some of those women are nuns. The humor ranges from corny sight gags to an irreverent dream sequence yet the film takes a severely dark turn by the end. Hmm… This movie feels awfully short at 75 minutes. That’s because it’s supposed to be 108 minutes! Great, not only is the Dagored DVD a crappy looking transfer but it’s also missing half an hour of the movie. Oh well, this is some pretty obscure stuff. I suppose I’m lucky to have seen it at all. This desperately needs a decent DVD release. By the way, here's the film's complete title: The Senator Likes Women... Despite Appearances and Provided the Nation Doesn't Know.

12:25am

“The killer is here with us! I know it!”

08. Don’t Torture A Duckling (1972) – Anchor Bay DVD

Part 1 of the Fulci Ducky Double Bill. Wow. This is Fulci in top form. Don’t Torture A Duckling is a brilliant Giallo that gets better every time I watch it. Fulci attacks the hypocrisy of the church (again today) and the ignorance of the masses with one hell of a twisted film. There are vast amounts of perversion and icky weirdness to be found here. The cast is freakin’ awesome: Tomas Milian, Marc Porcel (Seven Notes In Black), Barbara Bouchet, and Florinda Balkan (again today!). A chain whipping, some exposed brains, and a person’s face exploding against a cliffside give this film a 3 on the Goopy Meter. There are multiple J&B bottle sightings as Milian and Bouchet drink the stuff down in a scene. Good, I’ll have some too.

J&B Shots:
1 – Chain Whipping
1 – Face Exploding Against Cliffside

Uh oh, I’m really starting to wear down now. I must press on with some well made trash in the form of New York Ripper. Yo, Fulci, bring it.

2:15am

09. New York Ripper (1982) – Anchor Bay DVD

Part 2 of the Fulci Ducky Double Bill. Just so you know, the killer talks like Donald Duck. As if this film didn’t have enough problems as it is (naughty game of footsy (ugh)). And what the fuck is that grin for, Dr. Paul Davis? Oddly enough I’m ending Day 1 with Paolo Marco and I’ll be ending Day 2 with him in The House By The Cemetery. Sweet! Anyway, the Goopy Meter hits 8 for this sleaze-fest thanks to some genital mutilation, eye violence, nipple-slicing, a slashed throat, a gunshot to the face, etc. I couldn’t think of a better way to end Day 1. Thanks and goodnight. Oh and Andrea Occhipinti, I’m calling you out! 

J&B Shots:
1 – Eye Violence

Doomed Fulci-Thon Day 1: Concluding Remarks

Well, holy shit, I found that the 9th movie of the day is the hardest to sit through, regardless of how good it might be. I have no idea how I managed to keep my sanity through all that nastiness. Or did I? Another thing I learned: the fact that the killer in New York Ripper talks like a duck has become less and less ridiculous to me over the years. It’s just another part of the plot. Is this a bad thing?

My respect for Lucio Fulci has increased for a couple of odd reasons. First off, I am astounded by the technical skill behind a film as stupid as Conquest. Even one of his silliest efforts is filmed and edited with more style than it deserves. This amazement may fade after I see The New Gladiators on the next Fulci-Thon. My second reason for my increased appreciation is the excellence of Don’t Torture A Duckling. This is easily one of the director’s greatest achievements. Working within the confines of the Giallo genre, Fulci shines with a confidence that few of his contemporaries would achieve in the 70s. Easily, Fulci is on par with other Giallo directors such as Dario Argento, Sergio Martino, and Pupi Avati.

I am so dang psyched for Day 2.

Continue On To Day 2