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G Is For Giallo: A Yellow Film Checklist
by
Richard of DM
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In my
experience, the Giallo will invariably become addictive to the horror and
cult movie fan if exposure is prolonged beyond two or three titles. After
my Mario Bava (Blood And Black Lace), Dario Argento (Deep
Red), and Lucio Fulci (Don’t Torture A Duckling)
quota had been filled, I decided to look into other directors’ entries in
the genre. The two titles which are primarily responsible for my yellow
blood are Giuliano Carnimeo’s freaky and wild
Case Of The Bloody
Iris and Umberto Lenzi’s brutal and precise
Seven
Blood-Stained Orchids. After that, I was determined to see as many
Gialli as possible.
Inspired by the German Krimi films of the 60s, the Italians infused their
thrillers with explicit gore, exploitative sex, chic fashion, and funky
music. Many actors and actresses became staples of the genre by starring
in several features in a short period of time. Just to name a few: George
Hilton, Fabio Testi, Ivan Rassimov, and Luigi Pistilli were in some genre
favorites. Edwige Fenech, Anita Strindberg, Mimsy Farmer, Florinda Bolkan,
Marina Malfatti, Barbara Bouchet, and Erika Blanc all lent their beauty to
the Giallo.
Much like the American Slasher films of the 80s, the Giallo films became
hugely popular nationally and internationally causing many directors to
shift their focus. Italian directors who specialized in westerns, gothic
horror, comedies, crime films, etc. switched to making Gialli in order to follow
the trend. When the genre suddenly became very profitable, the Giallo
exploded into vibrancy during the early 70s.
Like any genre, Gialli have a number of trademarks to look out for, roll
your eyes at, or perhaps even create a drinking game around. Here is my
list of some things to clue you in as to whether or not you’re in the middle
of a Yellow film. While some of the items on the list could be found in
any film, it is a combination of these factors that give the Giallo films
their own special quirkiness.
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The Checklist
Bottles of
J&B Scotch-Whiskey
Black-gloved killer (acceptable substitute: rubber
gloves)
Tacky high fashion: big sunglasses, wide ties,
ludicrously short skirts, etc.
Fluorescent red blood
Suspicious behavior and glances AKA shifty eyes
Creepy mannequins or freaky dolls
Ugly hired thugs who are no match for the killer
Spiral staircases and/or other suspenseful architecture
Casual sex (usually between the main characters (who
have just met)
Priestly malfeasance (beware the men of the cloth)
General disdain/ridicule of hippies
Incompetent and/or corrupt cops
Edwige Fenech is in some kind of peril
Paper-thin motivations for murder
Huge number of suspects and red herrings (the unsolvable
mystery)
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Giallo Reviews
All the Colors
of the Dark
Amuck!
Autopsy
Black
Belly Of The Tarantula
A Blade In The Dark
The
Bloodstained Shadow
The Bloodsucker Leads The Dance
Case Of The Scorpion's Tail
Cold Eyes Of Fear
Death
Carries A Cane
Delirium: Photos Of Gioia
Eyeball
Giallo A Venezia
House
With Laughing Windows
The Iguana With The Tongue Of Fire
The Killer
Must Kill Again
Killer Nun
Murder
Obsession
My Dear Killer
Plot Of Fear
Seven
Blood-Stained Orchids
Seven Deaths In The Cat's Eye
7 Murders For Scotland Yard
Seven Notes
In Black
Tenebre
Torso
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Links
Giallo Fever
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